59 BPM; 4/4; D Minor; 1:54

Slow, sad grand piano keys descend with anticipation and a very subtle ambience behind them, ending on a dark lower tonic fifth chord

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69 BPM; 6/8; Bb Minor; 1:55

Three violin sections weave slowly through a sad cinematic progression, swelling through a build-up and easing out without a sting
Originally conceived in 6/8, can also be considered in a "largo" 4/4 at 45 BPM 

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100 BPM; 4/4; D Major; 3:00

Organic, finger-picked acoustic guitar pattern establishes the opening phrase, leading to Part B which includes a single string melody on the acoustic guitar over the finger-picked pattern, building up back to Part A with a light piano accenting the melody, leading to the slight ritard and strum-out sting at the end

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69 BPM; 4/4; G Minor; 1:54

Power Piano with contemplative melodic percussive voices repeat the groove, driving steadily until the sting.

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69 BPM; 4/4; G Minor; 1:54

Variation on Twelve Jam, with the Harp track removed (No Harp) and replaced with a Clean Stratocaster Electric Guitar, creating a more modern overall sound.

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75 BPM; 4/4; Eb Minor; 1:59

Delicate piano and strings start off the first part, then a light pulsing piano rhythm creates a solemn feel and builds to an anthem of sorrow before the soft sting.

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